The Other Side of the Wheel

As you might have guessed from the previous post, my rhythm of life got a bit shaky this summer. After all the events of July and August I spent a few weeks collecting myself and preparing for this year. Things are now settling down a bit as the new season at PUSH is warming up.

I just checked my calendar from last year and today, September 23, 2008, it is exactly one year to the day since I arrived in Rochester. I’ve changed a lot.

I just went back and re-read my posts from last September to now. Time capsule journeys always seem to highlight major themes and guess what? (Cliche!) This one was no different.

There’s a lot personal reflection I do in public – which is a habit formed through a variety of circumstances – and I won’t saddle the world with it just now. What I do want to leave with you is a thought that emerged from this reflection:

A wheel is essentially two circles: a hub and an edge. One cannot function without the other and the two must be connected. The hub supplies the power and the edge applies the power to the road.

While you can turn an edge and move the wheel, it is much harder to control and sustain. Working the circles from the inside out makes the whole machine more efficient.

If I had to pick a major theme from my look back, it would be discovering the process of aligning the wheel properly. I am reminded of C.S. Lewis’ words “Further up, further in!” in The Last Battle. The wheel is more like a wheel than it was before. And it will continue to refine and become more like a wheel the more I try to keep those two circles working together.

Metaphors are wonderful things.

A Sad Return

Several weeks have passed by in a blur now. I started working at the PUSH summer training session in early July and have been moving at 90-to-nothing since.

The last few weeks have been a lot of fun and a major learning experience for me. Spending the year training with PUSH has lent a whole new dimension to the training. There’s also the part where I’m a staff member now, not a student. I got to teach a couple classes and spent some time reconnecting with the teacher side of myself outside of the studio.

Life, however, was not without balance. On Friday, July 18th my mother called me around 8:45 am to tell me that my grandmother, Leona Lowery had quietly passed away earlier that morning. So, for the past week I have been under an extra load of emotional stress on top of the normal intense training schedule.

Wednesday, I traveled back to Mississippi to attend the services for my grandmother. The burial service was on Thursday and today (Friday) I am sitting in the Jackson airport getting ready to fly back to Rochester. I wish I could have stayed longer, but the balancing act work and necessity are always performing draws me up north again.

So, I got to see my family and was able to finally let my grandmother go. She had been struggling with dementia and other health issues for years and had been spiraling down from assisted living to nursing homes for about two years. Always an independent woman, she remained just lucid enough to realize her situation but could do nothing to fix it, although she tried mightily.

My dad’s parents were the only grandparents I ever knew. My grandfather died in 1994 when I was 10, but I adopted his love of the stage and performing. It was my grandfather who took me to my first ‘theater’ – the circus – which probably explains my current profession more thoroughly than anything else.

My grandmother lived a life of service. She altered her career path when she met my grandfather so she could follow him across the country as he worked. She earned degrees back in the 1930′s and 40′s that would probably equal a doctorate in education today and dedicated the rest of her life to her family and students.

As her oldest grandchild, I ended up having long conversations with her about education and life, learning far too much about my dad’s life in the process. My interests as I grew up began to both merge and simultaneously diverge from her own. I was interested in ministry and in the state of the world, but I took a more expressive than practical path towards those interests. But even though she didn’t always understand what I was doing, she supported me through it. I have my grandparents, and my grandmother specifically, to thank for putting me through college debt-free and allowing me to pursue my career as it now exists.

I could wax more eloquent, but time restrains me. My flight is boarding momentarily and I will soon dive back into my daily routines and familiar faces. I feel like that’s the way my grandmother lived, though. She was the one just behind, who would do anything she could to help but wouldn’t step into the limelight to do it. I feel a strange emptiness without her now, but I have to push on with life. To do any less would dishonor her work in me.

So I had a sadly unexpected return home, but I’m glad her suffering is over. And I remember that the important thing should be that I knew her at all. Having known my grandmother was a blessing that I will treasure for the rest of my life.

The boarding call is nigh. I hope my grandmother’s recent flight was just as pleasant.

How to measure a year?

There are two weeks left in my first year with PUSH. On June 5th we start a short run at a theatre in Rochester followed by two days of regular shows. This takes us to June 10th, which is marked on my calendar as the last day of the Trainee program.

Whew. Oct 2nd to June 10th. Crazy times.

Don’t worry, I won’t get all sappy and do a year recap in this post. I’m not a huge fan of soliloquizing in any case. (This does make blogging difficult at times…)

The thought that comes to mind is actually a line from the musical Rent.
How do you measure a year in the life of friends?

Not much of a line, but it speaks to the idea of counting time in something other than minutes and seconds.

Some results from that train of thought:

  • Friendships gained – I have a lot of friends up here who I value very highly.
  • Friendships left – physical proximity is a huge barrier. I’ve also firmly put most of my college friendships in the ‘past’ category – not all by any means, just most.
  • Career growth- instead of constantly creating the method and means to go forward, I spent this year learning and following others.
  • Personal growth – always hard to define, but I definitely have made some marked improvements (I think) in the manner and style by which I encounter the world. In particular I feel like I’ve filled in a lot of the gaps in my life that constantly left me on shaky ground.
  • Etc… – it’s hard, nay!, Impossible! to name everything that changed over so many months. Here’s to the ‘Unknown Detail’ upon this Mars Hill (I’m currently on ‘Walnut Hill’, but I don’t think that makes for as clear an allusion).

The occasion on which I’m feeling so reflective is that today was my final day in the studio for this season. I think we (PUSH) noticed this coming up a few weeks ago and then didn’t think any more on the subject until it was under our feet and gone. Combine this with the residual experiences from my excursion back to Jackson two weeks ago (!) and I went all thoughtful and introspective.

The final note for this go-around has to do with that oh-so-clever segue about my trip to Jackson… alright, it was just a normal segue – but at least I made it somewhat ironic!

*Ahem* The segue was SUPPOSED to mention how I felt like that trip put an endcap on my experience here. With all the maturing and changing I’ve experienced, going home felt like I was trying to act like another person. I wasn’t, but the general expectations from people who haven’t seen much of me for almost a year were disconcerting.

However, it was kinda cool how I was able to meet my family and good friends at a new place. It was good to remember who I’ve been and then find ways to pick out elements of that to reincorporate into who I am now. I wish I had more time to process those things with everyone back home, but alas this was not to be.

Oh well, that will be for next time.

Now, for an updated reading list!

What I’m Reading Now:
Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis by Michael Ward

On the Shelf:
The Necessity of Theater by Paul Woodruf
The Celebration of Discipline by Richard Foster

Home again, home again…

mississippi.gifI’ll be back in Mississippi for a week from May 12th through the 19th. I’m looking forward to this and hope to fill up the days as much as possible while I’m there. I’ll be speaking at my home church on the 18th about my ministry up here with PUSH – I don’t know yet if this will simply be a brief speech that morning or an additional evening event as well. I’ll post the details when I know them.

I’m actually in the middle of watching the movie Adaptation as I write this. It’s pretty cool, all about a guy who’s writing a script that happens to be the one you’re watching. Trippy.

It’s bringing up interesting thoughts about life – which seems to be a common thread in all the media I’ve consumed recently. I’m still reading Ravi Zacharius’ book The Grand Weaver (which I highly recommend), which has been a nice closer to the book I read before it: unChristian.

unChristian coverunChristian was a spooky read. It presents research into Christianity in America that lends credence to just about every hunch I’ve had about how our society and culture view Christians. It also presented research on current culture that was equally helpful.

It’s kinda weird to struggle through myriads of conversations, assumptions, and general skepticism about your understanding of the world – and then have scientific research swoop in to take your side. unCrhistian will probably be a game changer for me – even though I’m not changing anything (weird, huh?).

Speaking of change, I’m moving into more work with PUSH for the next month or so. Tom Ohl is in the final stages of phasing out of PUSH to pursue his career in teaching and deaf education more fully. This leaves the current PUSH roster with three guys: Darren, Topher, and me. Seeing as Tom was performing alongside on or the other of these guys, that leaves many of his roles to me.

galileotomhaly.jpgThis is pretty cool, but at the same time scary and a major challenge. This is due in large part to the fact that I am performing right on the edge of my abilities to learn Tom’s parts. This move in particular is difficult for me. –>

The result of this new performance repertoire is a set of extremely sore legs and arms. One might be able to imagine why from this photograph. I thought I had discovered all the odd little muscles in my body that no one else uses… I was wrong.

Since I met him, Tom has been an inspiration. His presence on stage is so vital and nuanced; not even bringing up his technical skill which could stand on its own merit. And this is outside of his real life off the stage – which is even more amazing.

Que serra…

Finally, I thought I’d add in a short set of references to what I’m currently (or future-ly) digesting in book form.

Jiggity jog!

What I’m Reading Now:
unChristian by David Kinnaman
The Grand Weaver by Ravi Zacharaius

On the Shelf:
The Celebration of Discipline by Richard Foster
The Necessity of Theater by Paul Woodruf

Playing Chess on Sesame Street

Whew!

Strong LogoJust finished a week of shows at the Strong National Museum of Play here in Rochester. Although the week started out rough with me getting over a strong showing from my allergies, the onset of warm, sunny days and greatly reduced stress levels (e.g. quitting my day job) helped swing the week into the positive.

Of course that doesn’t mean easy. Two shows a day and three on Friday, eleven total in five days. Admittedly, they were shorter than our normal set but getting warmed up and ready for each show took up the slack there. PUSH must be on the up and up because the job’s getting harder every month.

A highlight of the week was the fact that we got free passes to the museum during the run. The place is just amazing. Besides the National Toy Hall of Fame there are some awesome exhibits. There’s ‘Reading Adventureland’ that has interconnected ‘houses’ devoted to almost every genre of children’s literature you can imagine. Tucked inside each house you can find almost every book you read as a child – which is only the start of the coolness. Then there’s the ‘Field of Play’ section that has everything from air cannons to DDR to a sideways room tucked inside.

Grossology logoThe current traveling exhibit tucked in is called “Grossology” which takes every impolite or disgusting body function and just goes there (except THAT one – it’s still a kids’ museum!). It features such wonders as ‘Urine – The Game’ and a life-size version of ‘Operation’. There’s also a Nose Guygiant faucet, ‘Nigel Nose It All’, that drips snot and ‘Burp Man’ with a visible digestive track belching. Oh, and I won’t tell you about ‘Toot, Toot’, ‘Vomit Center’ or ‘Y U Stink’.

Big BirdThe crowning joy, however was the last afternoon when I got to sit down on Sesame Street and play a game of chess with DJ Stevenson. Just too cool. Surrounded by the old rough brick architecture, chalk drawings and good old-fashioned PBS education just made the week for me. “Sunny day, sweeping the clouds away…”